1 Kings 6:15-38
"15 He lined the walls of the house on the inside with boards of cedar. From the floor of the house to the walls of the ceiling, he covered them on the inside with wood, and he covered the floor of the house with boards of cypress. 16 He built twenty cubits of the rear of the house with boards of cedar from the floor to the walls, and he built this within as an inner sanctuary, as the Most Holy Place.17 The house, that is, the nave in front of the inner sanctuary, was forty cubits long. 18 The cedar within the house was carved in the form of gourds and open flowers. All was cedar; no stone was seen. 19 The inner sanctuary he prepared in the innermost part of the house, to set there the ark of the covenant of the Lord. 20 The inner sanctuary was twenty cubits long, twenty cubits wide, and twenty cubits high, and he overlaid it with pure gold. He also overlaid an altar of cedar. 21 And Solomon overlaid the inside of the house with pure gold, and he drew chains of gold across, in front of the inner sanctuary, and overlaid it with gold. 22 And he overlaid the whole house with gold, until all the house was finished. Also the whole altar that belonged to the inner sanctuary he overlaid with gold.
23 In the inner sanctuary he made two cherubim of olivewood, each ten cubits high. 24 Five cubits was the length of one wing of the cherub, and five cubits the length of the other wing of the cherub; it was ten cubits from the tip of one wing to the tip of the other. 25 The other cherub also measured ten cubits; both cherubim had the same measure and the same form. 26 The height of one cherub was ten cubits, and so was that of the other cherub.27 He put the cherubim in the innermost part of the house. And the wings of the cherubim were spread out so that a wing of one touched the one wall, and a wing of the other cherub touched the other wall; their other wings touched each other in the middle of the house. 28 And he overlaid the cherubim with gold.
29 Around all the walls of the house he carved engraved figures of cherubim and palm trees and open flowers, in the inner and outer rooms. 30 The floor of the house he overlaid with gold in the inner and outer rooms.
31 For the entrance to the inner sanctuary he made doors of olivewood; the lintel and the doorposts were five-sided. 32 He covered the two doors of olivewood with carvings of cherubim, palm trees, and open flowers. He overlaid them with gold and spread gold on the cherubim and on the palm trees.
33 So also he made for the entrance to the nave doorposts of olivewood, in the form of a square, 34 and two doors of cypress wood. The two leaves of the one door were folding, and the two leaves of the other door were folding.35 On them he carved cherubim and palm trees and open flowers, and he overlaid them with gold evenly applied on the carved work. 36 He built the inner court with three courses of cut stone and one course of cedar beams.
37 In the fourth year the foundation of the house of the Lord was laid, in the month of Ziv. 38 And in the eleventh year, in the month of Bul, which is the eighth month, the house was finished in all its parts, and according to all its specifications. He was seven years in building it."
The sacred historian is obviously delighting in the detailed description of the building which he gives us, and it is this fact that brings us our thought for today. There was undoubtedly a great deal of attention paid to intricate detail in the building of the Temple, and although it has not survived the vicissitudes of history for us to see it, many ancient monuments of architectural excellence have, and it is impossible, in viewing them, not to be conscious of the contrast presented by the chilling mediocrity, not to say dullness and untidiness of much of twentieth-century architecture. True, we have lived through a disastrously costly war and have become, almost by necessity, utilitarian in outlook, but architecture is the expression of a philosophy of life, and building today gives expression not merely to the bewilderment of men's minds but also, frighteningly, the lack of integrity that so often characterises this restless, impatient age of ours. No-one in his senses would wish to turn the clock backwards - there is much of which to be justly proud in modern technological development - but we are in sore need of recapturing some of the older mental and spiritual attitudes which were able to produce the painstaking craftsmanship and the marvellously detailed and beautifully executed intricacies of ancient masterpieces. The inspiration of God produces wonderful originality; it is the one great creative force, and bears witness to it that it is so.